Sans Superellipse Edbut 7 is a regular weight, very narrow, low contrast, italic, normal x-height font visually similar to 'Conthey' by ROHH (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, ui labels, modern, condensed, dynamic, sleek, technical, space saving, modern signaling, speed emphasis, geometric clarity, slanted, rounded corners, soft geometry, upright terminals, open counters.
This typeface is a tightly set, right-slanted sans with rounded-rect geometry and consistently softened corners. Strokes stay even and smooth with minimal modulation, while curves (C, O, S) read as narrow superelliptical forms rather than perfect circles. Terminals are mostly clean and blunt, giving letters a crisp, engineered finish despite the softness of the rounding. The rhythm is compact and vertical, with small apertures kept clear and counters remaining open enough for readability at display sizes.
It works best where a condensed, energetic italic voice is useful: headlines, product names, poster typography, and brand marks that need a modern, space-saving presence. It can also suit UI labels and interface headings where a narrow footprint helps, provided sizes are sufficient to preserve the tight apertures and compact spacing.
The overall tone is contemporary and streamlined, with a sense of speed created by the uniform slant and compressed proportions. Rounded superellipse shapes keep it approachable, while the narrow stance and clean terminals push it toward a utilitarian, design-forward voice.
The design appears aimed at delivering a compact, modern sans with a consistent italic motion and a softened, superelliptical construction. Its uniform stroke behavior and rounded-rectangle curves suggest an intention to feel both technical and friendly, balancing engineered geometry with smoother edges.
Capitals are tall and space-efficient, and the numerals follow the same narrow, rounded-geometry logic, producing a cohesive set for mixed alphanumeric use. The slant appears consistent across cases, and the forms favor clarity over ornament, avoiding calligraphic cues in favor of constructed, geometric shapes.