Sans Superellipse Ednay 3 is a regular weight, narrow, low contrast, italic, normal x-height font.
Keywords: ui labels, wayfinding, headlines, posters, packaging, modern, technical, streamlined, efficient, sporty, compact emphasis, modern utility, geometric softness, system coherence, condensed, rounded, upright terminals, soft corners, monoline.
This is a condensed, monoline sans with a consistent right-leaning italic slant and softened, rounded-rectangle (superellipse) construction. Curves read as squared-off rounds, giving bowls and counters a compact, engineered feel rather than a purely geometric circle. Strokes keep an even thickness throughout, with smooth joins and restrained terminals that stay clean at the ends of stems and arms. Proportions are tall and space-conscious, with tight interior counters in letters like a, e, and s, and an overall rhythm that favors verticality and compact width.
It suits space-limited settings where a condensed italic can add emphasis without taking much horizontal room, such as UI labels, dashboards, and product interfaces. The distinctive superellipse rounding and consistent monoline stroke also make it effective for modern headlines, signage, and branding systems that want a streamlined, slightly sporty feel.
The tone is contemporary and pragmatic, with a slightly forward-leaning momentum that feels energetic and purposeful. The rounded-square geometry adds approachability without becoming playful, creating a clean, tech-adjacent voice that still feels friendly and controlled.
The design appears intended to merge compact, utilitarian proportions with a softened geometric skeleton, producing an italic sans that reads clearly while projecting speed and modernity. The superellipse shaping suggests an emphasis on contemporary industrial design cues and a cohesive, system-friendly rhythm across letters and figures.
Uppercase forms maintain simple, legible silhouettes, while the lowercase uses single-storey structures and compact apertures that reinforce the condensed texture. Numerals follow the same tall, rounded-rectilinear logic, producing a cohesive set for mixed text. The italic angle is steady and uniform, contributing to a continuous, fast-moving text color in the sample lines.