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Free for Commercial Use

Sans Normal Abgaj 2 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Minimalism' by Adita Fonts, 'Hergon Grotesk' by Katatrad, 'Metro Sans' by Studio Few, and 'Genera' by Wahyu and Sani Co. (names referenced only for comparison).

Keywords: ui text, brand voice, editorial, presentations, posters, clean, modern, casual, friendly, neutral, readability, contemporary tone, soft emphasis, everyday utility, monoline, humanist, open apertures, rounded terminals, slanted.


Free for commercial use
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This typeface is a slanted, monoline sans with smooth, rounded curves and gently tapered joins that keep the strokes looking even and calm. Letterforms lean consistently to the right, with open counters and generous apertures that maintain clarity in both uppercase and lowercase. The design favors simple geometry—near-circular bowls, soft shoulders, and straightforward diagonals—while retaining a slightly humanist rhythm in how strokes transition through curves. Numerals follow the same open, rounded construction, with clear differentiation and a steady, unornamented texture in text.

It suits interface copy, onboarding screens, and product marketing where a contemporary, approachable voice is needed. The italicized construction also works well for emphasis in editorial layouts, presentations, and short headlines where forward motion and a smooth texture are desirable.

The overall tone is modern and approachable, combining a clean, no-fuss structure with an easygoing italic slant. It feels friendly rather than technical, with smooth shapes that read as contemporary and informal without becoming playful or quirky.

The design appears intended as a general-purpose slanted sans that balances neutrality with warmth. Its open forms and consistent stroke treatment suggest a focus on straightforward readability while adding a subtle sense of movement through the italic stance.

In the sample text, the slant creates forward motion and a cohesive flow across words, and the round forms keep dense lines from feeling sharp or rigid. Uppercase forms stay simple and legible, while lowercase characters maintain a consistent, open silhouette that supports continuous reading.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸