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Free for Commercial Use

Sans Superellipse Engor 5 is a bold, very wide, low contrast, italic, tall x-height font visually similar to 'Kabyta' by Agny Hasya Studio, 'Astronimus' by Patria Ari, 'Gemsbuck 01' and 'Gemsbuck Pro' by Studio Fat Cat, and 'Hyperspace Race' by Swell Type (names referenced only for comparison).

Keywords: sports branding, automotive, gaming, tech ui, posters, futuristic, sporty, techy, dynamic, sleek, speed emphasis, modern branding, display impact, tech aesthetic, extended, oblique, rounded, geometric, square-rounded.


Free for commercial use
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A slanted, extended sans built from squared-off curves and rounded-rectangle (superellipse) counters. Strokes are consistently thick with minimal modulation, giving a dense, solid texture, while corners and terminals are softened into smooth radii rather than sharp cuts. The forms favor horizontal reach and compact apertures, with a tall x-height and short ascenders/descenders that keep lowercase words blocky and efficient. Numerals and capitals maintain the same squarish-round construction, producing a tight, engineered rhythm and strong signage-like presence.

This font is well suited to headlines, logotypes, and display settings where a fast, modern voice is needed—sports identities, automotive and motorsport graphics, gaming titles, and tech-focused campaigns. It can also work for short UI labels or signage-style text when set with comfortable spacing, but its strong width and slant make it best used at larger sizes rather than long-form reading.

The overall tone is fast and engineered—suggesting speed, technology, and modern performance. Its oblique stance and wide stance read as assertive and kinetic, with a slightly sci‑fi flavor from the rounded-square geometry.

The design appears intended to deliver a contemporary, speed-oriented display sans by combining extended proportions, an oblique posture, and rounded-rectangle construction. The consistent stroke weight and squared curves aim for a robust, high-impact look that remains polished and controlled.

Many joins and terminals resolve into clean, rounded shapes, and several letters show simplified, streamlined structures that prioritize continuity and flow over calligraphic detail. The wide proportions create prominent internal whitespace patterns, so spacing and tracking will strongly influence the perceived density.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
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10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸