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Sans Normal Jebik 3 is a bold, very wide, low contrast, italic, tall x-height font visually similar to 'BD Megatoya' by Balibilly Design, 'Neue Helvetica' by Linotype, and 'Ansage' by Sudtipos (names referenced only for comparison).

Keywords: headlines, posters, sports branding, advertising, display ui, sporty, dynamic, contemporary, confident, energetic, impact, speed, branding, display clarity, modernity, oblique, slanted, geometric, rounded, compact apertures.


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A heavy, oblique sans with broadly proportioned letterforms and rounded, geometric curves. Strokes stay visually even, with smooth joins and minimal modulation, while corners are softened rather than sharply cut. The x-height reads tall and the counters are relatively compact, giving the face a dense, punchy texture. Uppercase forms are clean and simplified; lowercase shows single-storey a and g, a rounded bowl-and-stem d, and sturdy, wide ovals across o/e/c. Numerals are equally weighty and slanted, with open, streamlined shapes that keep the set cohesive in text.

Best suited to headlines, banners, and short-to-medium display copy where a strong, kinetic presence is desired. It fits sports and automotive-style branding, promotional graphics, packaging callouts, and bold interface moments such as hero sections or section titles where legibility at larger sizes and visual momentum are priorities.

The overall tone is fast, assertive, and modern, with a strong forward-leaning motion that suggests speed and performance. Its broad stance and dark color make it feel confident and promotional, suited to attention-grabbing messaging rather than quiet neutrality.

The design appears intended to deliver a high-impact, forward-driving sans for contemporary display typography. Its wide proportions, tall lowercase, and rounded geometry aim to balance friendliness with power, producing a distinctive, energetic voice for branding and prominent messaging.

Spacing appears generous enough to prevent the wide, slanted shapes from clumping, but the dense interior counters keep the texture compact and impactful. The italic construction feels integral (not a simple skew), maintaining consistent curves and rhythm across caps, lowercase, and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸