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Slab Square Saju 8 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'FS Silas Slab' by Fontsmith, 'Metronic Slab Pro' by Mostardesign, 'Core Slab M' by S-Core, 'Etelka Slab' by Storm Type Foundry, 'Paul Slab' and 'Paul Slab Soft' by artill, and 'Museo Slab' by exljbris (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, editorial, sturdy, industrial, confident, retro, utilitarian, impact, clarity, sturdiness, heritage feel, headline strength, blocky, compact, bracketless, heavy serifs, firm rhythm.


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A robust slab serif with heavy, square-ended serifs and thick, even strokes that keep contrast low. The letterforms are broad and steady, with generous interior counters and simple, blunt terminals that read clearly at display sizes. Curves are rounded but restrained, while joins and corners stay crisp, giving the overall texture a dense, authoritative color across lines of text. Numerals are similarly weighty and geometric, matching the font’s strong horizontal emphasis and stable baseline presence.

Best suited to headlines, posters, and bold subheads where the sturdy slabs and broad proportions can deliver impact. It also fits packaging, labels, and signage that need a reliable, workmanlike voice. In editorial contexts, it works well for section openers or pull quotes where a strong typographic presence is desired.

The font projects a practical, no-nonsense tone with a hint of vintage advertising and editorial gravitas. Its weight and squared serifs feel grounded and assertive, suggesting reliability, workwear toughness, and straightforward messaging rather than delicacy or refinement.

The design appears intended to provide a forceful, highly legible slab serif voice with a straightforward, squared construction. It prioritizes solidity and clarity, aiming for impactful display use while remaining structured enough for short-to-medium text passages.

In paragraphs, the heavy slabs create a prominent horizontal rhythm that can dominate at smaller sizes, while larger settings benefit from its confident shapes and open counters. The lowercase maintains a familiar, conventional structure, helping long samples remain legible despite the strong, dark typographic color.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸