Slab Contrasted Absi 2 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'FF Kievit Slab', 'FF Milo Slab', and 'FF Olsen' by FontFont; 'Calanda' by Hoftype; 'Rooney' by Jan Fromm; and 'Open Serif' by Matteson Typographics (names referenced only for comparison).
Keywords: headlines, posters, editorial, branding, packaging, sturdy, heritage, confident, formal, impact, authority, readability, tradition, stability, blocky, bracketed, ink-trap free, compact joints, high impact.
A heavy slab-serif design with broad proportions, firm vertical stress, and a clear, low-contrast stroke structure. Serifs are substantial and mostly rectangular with gentle bracketing, giving joins a reinforced, engineered feel rather than a delicate book face. Curves (C, O, S) are full and steady, while terminals and serifs stay blunt and decisive; counters are moderately open for the weight. The lowercase shows a robust, workmanlike rhythm with a single-storey g, a sturdy double-arch m, and strong, square-shouldered forms that hold up well at display sizes.
Best suited to headlines, subheads, pull quotes, and large-scale editorial typography where strong presence and stable letterforms are needed. It can also anchor branding systems, packaging, and signage that benefit from a classic slab-serif voice and high visual weight.
The overall tone is assertive and dependable, with a traditional, print-forward character that reads as serious and authoritative. Its chunky slabs and steady rhythm suggest classic editorial and institutional typography—more “headline certainty” than “quiet text refinement.”
The design intention appears to be a bold, confident slab serif that delivers clear, traditional authority while maintaining sturdy readability in display settings. It prioritizes impact, consistency, and a familiar print-centric tone over delicate detailing.
The figures are similarly hefty and built for impact, with consistent slab treatment and clear silhouettes that suit attention-grabbing numerals. Spacing appears generous enough to keep the bold color from clogging in longer lines, producing an even, dark texture in the sample text.