Sans Faceted Abbeb 8 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Febrotesk 4F' by 4th february, 'Cybersport' by Anton Kokoshka, 'Protrakt Variable' by Arkitype, 'Military Jr34' by Casloop Studio, 'B52' by Komet & Flicker, and 'Reload' by Reserves (names referenced only for comparison).
Keywords: headlines, posters, logos, sports branding, packaging, industrial, sporty, tough, retro tech, utilitarian, impact, durability, signage, modernize, geometric branding, octagonal, chamfered, angular, blocky, high contrast (shape).
A heavy, block-based sans with sharply chamfered corners that turn curves into crisp, faceted planes. Strokes maintain an even thickness and build letters from straight segments and clipped joints, producing octagonal counters in forms like O, Q, 0, 8, and 9. The lowercase echoes the same geometry with sturdy, squared bowls and short, firm terminals; punctuation and figures follow the same cut-corner logic for a consistent, mechanical rhythm. Overall spacing feels compact and efficient, with solid silhouettes that read strongly at display sizes.
Best suited to bold headlines, poster typography, logos, and identity work where strong silhouettes and geometric bite are desirable. It also fits sports branding, team graphics, labels, and packaging that benefit from an industrial or rugged display voice; for longer text, it works most comfortably at larger sizes.
The faceted construction gives the font a rugged, engineered tone—confident, no-nonsense, and slightly aggressive. Its clipped corners suggest machinery, athletics, and durable signage, with a subtle retro-arcade or varsity edge depending on color and layout.
The font appears designed to deliver maximum impact through simplified, faceted letterforms that maintain consistency across uppercase, lowercase, and figures. By replacing curves with chamfered planes, it aims for a durable, technical aesthetic that remains highly legible in attention-grabbing display settings.
The design relies on corner cuts and planar transitions rather than rounded joins, which creates distinctive internal shapes and a recognizable “stamped” look. The numerals are particularly emblematic due to their squared, octagonal counters and assertive diagonals.