Sans Superellipse Onmil 2 is a bold, normal width, monoline, upright, normal x-height font.
Keywords: headlines, logos, ui display, posters, packaging, techy, futuristic, industrial, sporty, gaming, modernize, differentiate, signal tech, maximize impact, interface clarity, rounded corners, squared forms, geometric, extended terminals, closed apertures.
A geometric sans built from squared, superellipse-like shapes with generous corner radii and a consistent, monoline stroke. Curves resolve into rounded rectangles rather than circles, giving bowls and counters a compact, engineered feel. Terminals are blunt and often squared-off, and many joins favor crisp angles (notably in diagonals) against the otherwise softened corners. Spacing and proportions feel steady and deliberate, with sturdy capitals and slightly compact lowercase forms that keep a tight, structured rhythm.
Best suited to display roles where its squared-round geometry can be clearly seen: headlines, brand marks, tech or gaming graphics, product packaging, and interface elements like navigation labels or dashboard readouts. It can work for short paragraphs at larger sizes, but its compact apertures and heavy color are most effective in titles, signage, and callouts.
The overall tone reads modern and technical, with a streamlined, manufactured character. Its rounded-square construction suggests digital interfaces, hardware labeling, and sci‑fi aesthetics more than editorial warmth. The bold presence and rigid geometry also lend an assertive, sporty energy suited to attention-grabbing titles.
The design appears intended to deliver a contemporary, interface-friendly sans with a distinctive rounded-rectangle skeleton. By combining softened corners with rigid, modular construction, it aims for a futuristic and industrial voice that remains clean and highly legible at display sizes.
The numerals and caps show a strong preference for boxy silhouettes, while diagonals (in forms like K, V, W, X) introduce sharp, dynamic strokes that add speed and edge. Openings and counters tend to stay relatively enclosed, reinforcing a compact, gadget-like texture in longer lines.