Sans Superellipse Onmil 11 is a bold, normal width, monoline, upright, normal x-height font.
Keywords: ui labels, app branding, gaming, tech packaging, posters, techy, futuristic, industrial, confident, clean, systematize forms, signal modernity, maximize solidity, maintain clarity, rounded corners, squared bowls, wide apertures, compact curves, high contrast counters.
A geometric sans built from rounded-rectangle forms and softened corners, with uniform stroke weight and a compact, modular construction. Curves resolve into squared bowls and superelliptical counters, giving letters like O, D, and Q a boxy roundness rather than true circles. Terminals are blunt and consistently radiused, while joins stay crisp, producing a controlled, engineered texture. The lowercase follows the same structural logic, with single-storey a and g, short ascenders/descenders, and clean, open interiors that keep the heavy shapes readable.
This font suits UI labels, dashboards, and product surfaces where a durable, geometric tone is desirable. It performs well in tech branding, gaming titles, packaging, and posters that benefit from a structured, futuristic look, especially at medium-to-large sizes where its rounded-rect geometry is most apparent.
The overall tone is modern and tech-forward, suggesting interfaces, devices, and industrial design language. Its blocky softness balances assertiveness with approachability, creating a confident, futuristic feel without becoming aggressive or overly sharp.
The design appears intended to translate a rounded-rectangle grid into a readable, contemporary sans, emphasizing consistency, modularity, and a device-like aesthetic. It prioritizes strong silhouettes and clear counters to stay legible while maintaining a distinctive superelliptical character.
Distinctive details include a squared, inset-like counter treatment in several glyphs and a Q with a small descending tail. Numerals are similarly geometric and sturdy, with a notably angular 4 and rounded-rect 0. The sample text shows a steady rhythm at display sizes, where the uniform strokes and rounded corners create a cohesive, system-like voice.