Sans Superellipse Abbaz 12 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Bronkoh' by Brink, 'FS Silas Sans' by Fontsmith, 'Mitram' by JAM Type Design, 'PTL Maurea' by Primetype, and 'Nogal' by TipoType (names referenced only for comparison).
Keywords: ui text, product design, editorial, branding, signage, clean, neutral, modern, friendly, efficient, clarity, versatility, system coherence, contemporary tone, geometric identity, rounded corners, open apertures, uniform strokes, crisp terminals, geometric.
A clean sans with a geometric, superellipse-driven construction: rounds read as softly squared curves and corners are subtly rounded rather than fully circular. Strokes are largely monolinear with crisp, straight terminals, producing a steady texture in paragraphs. Proportions are compact and orderly, with open counters and clear joins that keep letters legible at smaller sizes. Numerals and capitals maintain the same restrained, constructed feel, with consistent curves and simple, unembellished forms.
Well-suited to interface text and product design systems where a clear, even typographic color is needed. It also works effectively for contemporary branding and editorial layouts that benefit from a tidy, geometric voice, and for short-to-medium signage where the rounded-square forms remain readable at distance.
The overall tone is practical and contemporary, with a gentle friendliness coming from the rounded-square geometry. It feels matter-of-fact and unobtrusive rather than expressive, aiming for clarity and calm in continuous reading.
The design appears intended to provide a modern, highly legible sans with a distinct but restrained geometric identity. Its superellipse-like curves and uniform stroke behavior suggest a focus on consistency across sizes and a calm, system-friendly presence.
Curved letters like C, G, O, and S show a distinctive “squircle” silhouette that gives the face a subtle tech-forward character without becoming stylized. The lowercase includes straightforward, single-storey forms (notably a and g), reinforcing the clean, modern rhythm.