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Free for Commercial Use

Sans Superellipse Kure 4 is a bold, very wide, low contrast, upright, normal x-height font.

Keywords: headlines, logos, posters, packaging, wayfinding, futuristic, techno, industrial, space-age, digital, futurism, impact, modularity, signage, branding, rounded corners, squared forms, modular, extended width, geometric.


Free for commercial use
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A heavy, extended sans with a superelliptical construction: most curves resolve into rounded-rectangle bowls and chamfer-like corners rather than true circles. Strokes are monoline and substantial, with broad, open counters and a consistently squared rhythm that keeps letters stable at large sizes. Joins and terminals tend to finish flat, and many glyphs emphasize horizontal spans, giving the face a wide, platform-like stance; diagonals are used sparingly and feel mechanically controlled. The lowercase follows the same modular logic as the caps, with simple, single-storey forms and compact details that preserve the font’s blocky silhouette.

Best suited for display settings where its wide stance and strong, modular shapes can lead—headlines, logos, posters, product packaging, and themed UI/wayfinding. It can also work for short bursts of copy in tech-forward layouts, but its extended proportions make it most effective when given room to breathe.

The overall tone is crisp and synthetic, evoking sci‑fi interfaces, industrial labeling, and futuristic branding. Its rounded-square geometry reads confident and engineered rather than friendly or calligraphic, leaning toward a modern, high-tech voice.

The design appears intended to deliver a cohesive, futuristic geometric look built from rounded-rectangle primitives, prioritizing a strong silhouette and an engineered rhythm. It aims for high impact and stylistic consistency across caps, lowercase, and numerals for branding and interface-flavored typography.

The numeral set and key capitals maintain a consistent squared curvature that helps unify word shapes, while slightly asymmetric details (such as angled joins in letters like K and the diagonal leg in R) add just enough differentiation for scanning. The spacing in the sample text reads intentionally generous, supporting a clean, display-oriented texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸