Sans Superellipse Kure 2 is a bold, very wide, low contrast, upright, tall x-height font visually similar to 'PT Winkell Pro' and 'Winkell' by Paavola Type Studio (names referenced only for comparison).
Keywords: headlines, logos, branding, posters, packaging, futuristic, techno, industrial, sci‑fi, sporty, display impact, futurism, modular geometry, brand voice, squared, rounded, octagonal, geometric, modular.
A geometric sans built from rounded-rectangle and octagonal forms, with softened corners and consistently heavy, monoline strokes. Counters and apertures tend to be rectangular and compact, and many curves resolve into straight segments with chamfer-like transitions. The alphabet shows a modular construction with squared bowls (O/Q/0), angular joins, and short horizontal terminals, producing a crisp, engineered rhythm. Numerals and lowercase maintain the same superelliptical geometry, with simplified shapes and tight internal spaces that read best at medium-to-large sizes.
Works best for headlines, wordmarks, and short bursts of copy where its geometric personality can carry the design. It fits tech, gaming, automotive, and sports branding, and can perform well in posters, packaging, and UI-style graphic treatments when set with generous size and spacing.
The overall tone is modern and technical, evoking interfaces, machinery, and forward-looking design. Its rounded-square geometry balances a hard, engineered feel with friendly corners, creating a confident, energetic voice suited to contemporary tech and sport aesthetics.
The design appears intended to deliver a futuristic, modular sans with rounded-square construction and high impact. By favoring superelliptical bowls, clipped curves, and uniform stroke weight, it aims for a cohesive, machine-made look that stays legible while feeling distinctly stylized.
Distinctive, stylized constructions (notably in S, G, W, and some diagonals) emphasize a custom, display-led character over neutrality. The heavy joins and tight counters can visually fill in at small sizes, while the wide stance and squared curves give headings a strong, graphic presence.