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Sans Contrasted Otho 2 is a very bold, very narrow, medium contrast, upright, tall x-height font visually similar to '403 Quzie' by 403TF, 'Geakosa' by Kulokale, 'Dongpora' by Ronny Studio, and 'Motte' by TypeClassHeroes (names referenced only for comparison).

Keywords: headlines, posters, sports, branding, packaging, industrial, poster, athletic, authoritative, retro, space-saving impact, headline punch, industrial styling, brand presence, condensed, blocky, squared, vertical, high-impact.


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A condensed, heavy sans with tall, column-like proportions and a compact set width. Strokes are predominantly vertical and planar, with controlled contrast that’s most visible in joins and narrowed interior counters. Curves are squared-off and tightened, producing rounded forms that read more like softened rectangles than true circles. Apertures and counters are narrow and vertical, and terminals are blunt with occasional notch-like shaping that reinforces a machined, cut-from-metal feel.

Best suited for headlines, posters, packaging, and brand marks where space is tight but impact is needed. It also fits athletic or industrial-themed identities and signage-style graphics, especially at medium to large sizes where the tight counters remain clear.

The font projects an industrial, no-nonsense tone with a strong sense of urgency and impact. Its compressed rhythm and tall silhouettes evoke headlines, sports branding, and vintage display typography, leaning assertive and energetic rather than friendly or casual.

The design appears intended to maximize visual weight and vertical emphasis within a narrow footprint, creating a strong, billboard-ready texture. Its squared curves and blunt terminals suggest a deliberate, engineered aesthetic aimed at bold display settings and compact headline composition.

Letterforms maintain a consistent vertical tension, giving words a uniform “bar code” texture at a glance. The numeral set matches the same condensed, high-contrast-in-the-details construction, with narrow bowls and minimal interior space that favors display sizing. The overall impression is rigid and engineered, prioritizing presence over openness.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸