Sans Superellipse Kymaj 6 is a very bold, very wide, low contrast, italic, tall x-height font visually similar to 'Cairoli Classic' by Italiantype, 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype, 'Tactic Round' and 'Tactic Sans' by Miller Type Foundry, and 'Otoiwo Grotesk' by Pepper Type (names referenced only for comparison).
Keywords: headlines, posters, sports branding, gaming ui, team apparel, sporty, futuristic, assertive, playful, techy, impact, speed, modernity, approachability, branding, rounded, soft-cornered, chunky, oblique, streamlined.
A heavy, oblique sans with broad proportions and a rounded-rectangle (superellipse) construction throughout. Curves are inflated and corners are generously softened, producing compact counters and sturdy interior shapes. Strokes stay essentially monoline, while horizontals often appear as flattened bars with rounded terminals, creating a fast, aerodynamic rhythm. The lowercase shows a tall x-height and simplified forms; figures and capitals follow the same chunky, rounded geometry for a highly uniform texture at display sizes.
Best suited to headlines, posters, and branding where impact and motion are desirable—particularly in sports identities, gaming/streaming graphics, and tech-forward product visuals. It also fits short UI labels and callouts when set large enough to preserve the interior openings.
The overall tone is energetic and forward-leaning, with a motorsport and sci‑fi edge. Its soft corners keep the aggression friendly, giving it a bold, game-like confidence that reads as modern and kinetic.
The design appears intended to deliver maximum punch with a streamlined, rounded industrial silhouette. By combining a consistent superelliptical skeleton with an oblique stance, it aims to communicate speed and modernity while staying approachable through softened corners.
The oblique angle and wide stance increase horizontal momentum, and the tight counters can thicken up quickly as sizes get smaller. Letterforms favor simplified joins and broad terminals, making the style feel engineered and logo-ready rather than text-oriented.