Sans Faceted Abbas 14 is a very bold, normal width, monoline, upright, tall x-height font visually similar to 'Ramenson' by Larin Type Co, 'Nulato' by Stefan Stoychev, and 'Radley' by Variatype (names referenced only for comparison).
Keywords: sports branding, team apparel, posters, headlines, packaging, athletic, industrial, authoritative, tough, retro, impact, ruggedness, branding, machined look, clarity, octagonal, chamfered, blocky, geometric, compact.
A heavy, all-caps–friendly display sans built from straight strokes and sharp chamfered corners. Curves are largely replaced by clipped, faceted joins that create octagonal counters and planar “cuts” on terminals, giving letters like C, G, O, and S a carved, angular profile. Strokes are consistently thick with squared-off verticals and strong horizontal bars; diagonals (A, K, V, W, X, Y) are sturdy and tightly constructed. The lowercase echoes the same geometry, with single-storey a and g, tall ascenders, and compact apertures that keep the texture dense and punchy. Numerals follow the same beveled logic, with an especially angular 0 and emphatic, slab-like 2–7 forms.
Best suited to high-impact display settings such as sports branding, team and event graphics, workout or outdoor product packaging, posters, and punchy headlines. It performs well where an angular, carved look can reinforce strength and structure, especially at medium to large sizes.
The overall tone is bold and no-nonsense, with a rugged, equipment-like feel created by the repeated bevels and hard edges. It reads as sporty and industrial at once—confident, assertive, and slightly retro—suggesting durability and impact more than refinement.
The design appears intended to translate the visual language of stenciled or machined lettering into a clean, modern display sans, prioritizing bold legibility and a distinctive faceted silhouette. Its consistent chamfers and geometric counters aim to create an instantly recognizable, durable voice for branding and attention-grabbing titles.
The faceting introduces a consistent rhythm of clipped corners that helps maintain recognition at large sizes while producing a tight, dark typographic color in text. Counters tend to be polygonal and relatively small, which amplifies weight and presence; spacing appears designed to hold together in stacked headlines and short bursts of copy.