Sans Faceted Abbeb 6 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Febrotesk 4F' by 4th february, 'Cybersport' by Anton Kokoshka, 'Protrakt Variable' by Arkitype, and 'B52' by Komet & Flicker (names referenced only for comparison).
Keywords: posters, headlines, sports branding, team apparel, packaging, sporty, industrial, assertive, retro, technical, impact, signage, athletics, display, geometry, octagonal, chamfered, blocky, angular, compact.
A heavy, block-built sans with crisp chamfered corners that replace most curves with short diagonals, creating an octagonal, faceted silhouette throughout. Strokes are uniform and sturdy, with squared terminals and tightly controlled counters, yielding a compact, high-impact texture in words. Uppercase forms are broad and stable with straight-sided bowls, while the lowercase echoes the same geometry with simplified apertures and firm, rectangular joins. Numerals follow the same cut-corner construction, maintaining consistent heft and strong alignment for display settings.
This font works best where strong presence and quick recognition matter: posters, event headlines, sports and team identity, apparel graphics, and bold packaging fronts. It can also suit labels, wayfinding, and UI moments that need compact, high-contrast letterforms at larger sizes.
The overall tone is tough and energetic, evoking athletic lettering, industrial signage, and no-nonsense headline graphics. Its angular faceting lends a technical, engineered feel, while the chunky proportions give it a confident, punchy voice with a slight retro edge.
The design appears intended to translate traditional block lettering into a consistent faceted system, trading curves for engineered chamfers to maximize impact and reproducibility. Its emphasis on uniform weight, clipped corners, and compact counters suggests a focus on sturdy display typography that reads as modern-industrial and athletic.
The faceted construction is especially evident in round letters and figures, where corners are consistently clipped to form near-octagonal shapes. Spacing reads relatively tight in the sample text, producing a dense rhythm that favors short, emphatic statements over long-form reading.