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Sans Superellipse Gidob 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Digital Sans Now' by Elsner+Flake, 'Evanston Alehouse' and 'Evanston Tavern' by Kimmy Design, and 'Digital TS' by TypeShop Collection (names referenced only for comparison).

Keywords: headlines, posters, logos, signage, packaging, tech, sporty, industrial, futuristic, sturdy, high impact, modern branding, geometric consistency, sturdy readability, distinctive texture, rounded corners, squared bowls, blocky, compact, soft terminals.


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A heavy, blocklike sans with a rounded-rectangle construction throughout. Curves resolve into squared bowls and superelliptical counters, giving letters like O, D, and P a soft-cornered, machined feel rather than a circular one. Strokes are consistently thick with minimal modulation, apertures are relatively tight, and joins are clean and blunt, producing dense black shapes that hold together as solid silhouettes. Overall proportions feel slightly compact, with straightforward geometry and a disciplined rhythm across caps, lowercase, and numerals.

Best suited to headlines, large-scale typography, and branding where strong silhouettes and a compact, engineered look are desirable. It can work well for signage and packaging that benefit from high visual authority and quick recognition, especially in short lines and display sizes.

The tone is modern and utilitarian, with a confident, equipment-grade presence. Its rounded-square geometry reads as both friendly and engineered, suggesting contemporary tech, sports branding, and performance-oriented design. The overall impression is bold, direct, and built for impact rather than delicacy.

The design appears intended to deliver maximum visual impact using a consistent rounded-rectangular geometry, balancing toughness with softened corners. It prioritizes bold, contemporary legibility and a distinctive, tech-forward texture for display-driven typography.

The face relies on distinctive squarish counters and softened corners to create recognition at a glance, especially in uppercase settings. In text samples, the dense weight and tight openings increase punch while slightly reducing delicacy in longer passages, favoring short bursts of copy and prominent hierarchy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸