Sans Superellipse Ibbok 7 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Resolve Sans' by Fenotype, 'Panton' by Fontfabric, 'Garrigue' by Nootype, 'Ordina' by Schriftlabor, and 'Adelle Sans' by TypeTogether (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, confident, friendly, punchy, modern, sturdy, impact, approachability, clarity, modernity, rounded, blocky, compact, geometric, soft-cornered.
A heavy, compact sans with rounded-rectangle construction throughout. Strokes are uniform and dense, with broad verticals and generous corner radii that keep the shapes soft despite the weight. Counters are relatively tight (notably in O, e, a, and 8), and terminals are mostly flat, producing a clean, poster-like silhouette. The uppercase is wide and stable with simple geometry, while the lowercase uses single-storey a and g and a robust, utilitarian rhythm; the t has a short crossbar and the r has a minimal shoulder. Numerals are similarly blocky and rounded, with an open-top 4 and a sturdy, closed 8/9 structure.
Best suited to large sizes where its dense weight and rounded shapes can deliver maximum impact—headlines, posters, branding marks, packaging callouts, and wayfinding or retail signage. It can work for short UI labels or badges when space is tight, but the compact counters suggest avoiding very small sizes for text-heavy settings.
The font conveys a bold, no-nonsense tone that still feels approachable due to its rounded geometry. It reads as contemporary and practical—more friendly signage than formal editorial—giving text a strong, high-impact presence without sharpness.
The design appears intended to provide a high-impact sans with softened corners and compact, modular forms—balancing assertiveness with approachability. Its consistent geometry and sturdy proportions suggest a focus on bold display utility across contemporary branding and signage contexts.
Round forms lean toward squarish/superelliptical bowls rather than pure circles, creating a distinctive “cushioned” texture. Apertures in letters like c and s are slightly narrowed by the heavy weight, so spacing and size choices will strongly affect clarity in longer passages.