Sans Superellipse Yeja 2 is a very bold, very wide, medium contrast, italic, normal x-height font.
Keywords: sports branding, racing graphics, headlines, posters, gaming ui, sporty, techy, energetic, futuristic, aggressive, speed emphasis, impact display, modern branding, technical tone, rounded, oblique, extended, compact counters, ink-trap cuts.
A heavy, oblique sans with broad proportions and a rounded-rectangle (superellipse) construction throughout. Strokes are thick and uniform with softly squared corners, producing compact interior counters and a dense, forward-leaning rhythm. Many joins and terminals show cut-in notches and angled slicing that read like ink-trap–style breaks, especially visible on letters such as S, T, Y, and several numerals. The overall texture is solid and blocky, with curved forms built from flattened arcs rather than perfect circles, and punctuation/dots rendered as small rounded rectangles.
Well-suited to bold display settings where immediacy and motion are desired, such as sports identities, motorsport or automotive graphics, gaming and esports branding, and punchy campaign headlines. It also works for short UI labels or product marks where a compact, high-impact silhouette is beneficial, but it is less ideal for long-form text at small sizes due to dense counters.
The font projects speed and impact, combining a streamlined italic slant with chunky, engineered shapes. Its notched terminals and compact counters add a technical, performance-oriented feel that suggests motion, strength, and modern machinery.
The design appears intended as a modern, speed-driven display sans that merges superelliptical rounding with sharp cut-ins to evoke engineered performance. Its consistent modular shapes and forward slant prioritize striking silhouettes and a fast, technical voice over delicate typographic nuance.
The uppercase and lowercase share a consistent, modular geometry, with single-storey a and g and a very sturdy, squared-off bowl logic. Numerals follow the same rounded-rectangular skeleton, keeping the set cohesive for display use. Because counters are tight and strokes are dense, the face reads best when given adequate size and breathing room.