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Sans Faceted Asba 2 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Hudson NY Pro' by Arkitype, 'Gemsbuck Pro' by Studio Fat Cat, 'Radley' by Variatype, 'Manifest' by Yasin Yalcin, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: sports branding, team apparel, posters, headlines, signage, athletic, industrial, tactical, arcade, assertive, impact, ruggedness, team identity, distance legibility, geometric consistency, octagonal, chamfered, blocky, angular, compact.


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A heavy, block-built sans with pronounced chamfered corners that replace curves with crisp planar cuts. Strokes are consistently thick and largely rectilinear, creating squared counters and octagonal silhouettes in rounded forms like O and 0. The proportions feel compact with broad shoulders and tight apertures, while diagonals (as in A, V, W, X) stay straight and sturdy. Numerals follow the same faceted construction, with strong, poster-ready shapes and minimal interior detail.

Best suited to high-impact display work such as sports branding, team apparel, event posters, and bold headlines. It also fits wayfinding or labeling contexts where a tough, geometric voice is desired and letters need to hold their shape at a distance. For longer passages, it will read as intentionally loud and graphic rather than neutral.

The overall tone is bold and no-nonsense, evoking sports uniforms, equipment markings, and hard-surfaced industrial labeling. Its faceted geometry adds a tactical, game-like edge that reads energetic and competitive rather than refined. The look is attention-grabbing and confident, with a distinctly mechanical crispness.

The design appears intended to deliver maximum impact through simplified, faceted geometry—turning curves into controlled chamfers for a rugged, engineered feel. It prioritizes bold silhouette recognition and a cohesive, stencil-like angularity that performs well in branding and large-format applications.

The consistent chamfer language across caps, lowercase, and figures helps the design feel cohesive, and the squared counters maintain a strong rhythm in text. The lowercase retains the same blocky construction as the uppercase, so mixed-case settings keep a uniform, display-forward texture rather than a traditional bookish contrast.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸