Sans Faceted Abbas 2 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Hudson NY Pro' by Arkitype, 'British Vehicle JNL' by Jeff Levine, 'Charles Wright' by K-Type, 'Gemsbuck Pro' by Studio Fat Cat, and 'Radley' by Variatype (names referenced only for comparison).
Keywords: headlines, posters, sports branding, teamwear, packaging, athletic, industrial, arcade, bold, mechanical, impact, ruggedness, geometric consistency, high visibility, chamfered, octagonal, blocky, angular, stencil-like.
A heavy, block-built sans with chamfered corners that turn bowls and curves into crisp, planar facets. Strokes stay consistently thick, producing a compact, high-impact silhouette with strong verticals and squared terminals. Counters are generally tight and geometric (notably in O/0 and B/P), and joins tend to be hard-angled rather than rounded. The lowercase follows the same faceted logic, with sturdy, simplified shapes and minimal modulation, keeping texture dense and uniform in setting.
Best suited to short, high-contrast text such as headlines, posters, signage, and branding where impact matters more than fine detail. The blocky, faceted construction also fits athletic identities, product packaging, and bold UI labels (e.g., counters, badges, and scoreboard-style graphics).
The overall tone is tough and utilitarian, with a sporty, arena-style presence and a slight retro arcade flavor. Its sharp geometry reads as engineered and no-nonsense, projecting strength and urgency rather than softness or elegance.
The design appears aimed at delivering maximum visual punch through simplified, angular construction—replacing curves with consistent chamfers to create a rugged, engineered look that holds up well in big, attention-grabbing applications.
The distinctive clipped corners create a consistent octagonal rhythm across rounds and diagonals, which helps the alphabet feel cohesive at display sizes. Numerals share the same chiseled geometry, making them visually compatible for scoring, labeling, and bold callouts.