Sans Superellipse Omlih 8 is a bold, normal width, monoline, upright, normal x-height, monospaced font visually similar to 'Libertad Mono' by ATK Studio; 'Corner Deli' and 'Leftfield' by Fenotype; 'Karben 205 Mono' by Talbot Type; and 'Decima Mono', 'Decima Mono Cyr', 'Decima Mono Pro', and 'Decima Mono Round' by TipografiaRamis (names referenced only for comparison).
Keywords: ui labels, signage, posters, packaging, data tables, industrial, technical, utilitarian, retro, assertive, clarity, durability, systematic, impact, squared, rounded corners, high contrast (mass), compact, blocky.
This typeface is built from squared, rounded-rectangle forms with consistent stroke thickness and firm, flat terminals. Curves are tightly controlled, reading more like softened corners than fully circular bowls, and counters stay open and geometric. The overall rhythm is even and gridlike, with sturdy verticals, compact joints, and minimal modulation, producing a dense, highly legible silhouette. Numerals and letters share the same sturdy, engineered construction, emphasizing clarity over ornament.
It works well where strong, evenly spaced letterforms improve scanning: interface labels, dashboards, data tables, and technical annotations. The sturdy shapes also suit short, high-impact settings such as posters, packaging callouts, and utilitarian signage where a firm, modern-industrial voice is desired.
The tone is pragmatic and no-nonsense, with an industrial, equipment-label feel. Its geometric softness adds approachability, but the heavy, blocky shapes keep the voice confident and directive, leaning toward technical and retro-mechanical associations.
The font appears designed to deliver a robust, system-ready aesthetic rooted in rounded-rect geometry, prioritizing consistency and quick recognition. Its controlled curves and compact, engineered construction suggest an intention to feel modern, practical, and durable in display and labeling contexts.
The design consistently favors superelliptical bowls and squared apertures, creating a distinctive “rounded-rectangle” personality across both uppercase and lowercase. The punctuation and simple forms maintain the same stout, engineered logic, reinforcing a strong, systemlike texture in running text.