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Sans Superellipse Ginod 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Myriad' by Adobe, 'Bronkoh' by Brink, 'Engrez' by Indian Type Foundry, 'MC Aregia' by Maulana Creative, 'Dobra' by Monotype, 'Mersh' by Sign Studio, and 'Mairy' by Typesketchbook (names referenced only for comparison).

Keywords: headlines, branding, posters, packaging, signage, friendly, playful, punchy, approachable, modern, impact, approachability, clarity, modernity, geometric cohesion, rounded, soft, blunt, compact, geometric.


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A heavy, rounded sans with broad, blunt terminals and softly squared curves that lean toward superelliptical shapes. Counters are generous and mostly open, while joins and corners are smoothed rather than sharp, producing a sturdy, cushioned silhouette. Uppercase forms are blocky and stable (notably in E, F, T), and round letters like O, C, and G read as rounded rectangles. The lowercase is similarly robust with compact bowls and short extenders, keeping a tight, even rhythm in text.

This font is well suited to headlines, logos, posters, packaging, and bold UI or signage where a friendly, high-impact look is needed. It performs best at display sizes, where its rounded geometry and large counters remain clear and its dense weight becomes a graphic asset.

The overall tone is bold and upbeat, with a friendly, toy-like solidity that feels inviting rather than aggressive. Its softened geometry and wide black shapes give it a contemporary, informal voice that can feel energetic and cheerful in headlines.

The design appears intended to deliver maximum impact with a soft-edged, geometric personality—combining sturdy construction with rounded corners to stay approachable. Its consistent superelliptical logic suggests a focus on cohesive shapes and easy recognizability in prominent settings.

Distinctive superelliptical round forms show up consistently across O/Q and the numerals, and the heavy weight reduces delicate interior details, reinforcing a strong, poster-ready presence. The glyph set shown favors simple, clean constructions with minimal modulation and clear, high-contrast figure/ground at display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸