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Free for Commercial Use

Distressed Naba 5 is a regular weight, normal width, low contrast, upright, normal x-height font.

Keywords: posters, book covers, title cards, packaging, editorial display, typewriter, gritty, vintage, analog, noir, aged print, typewriter mimic, analog texture, atmospheric tone, document aesthetic, roughened, worn, textured, blotchy, inky.


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A slab-serif typewriter-style design with compact proportions and sturdy, low-contrast strokes. The letterforms keep a mostly monoline rhythm, but the outlines are intentionally roughened, with uneven edges, softened corners, and occasional ink-like swell and erosion that mimic worn type or imperfect printing. Serifs are blunt and rectangular, counters are fairly open, and curves show slight wobble that adds an organic, stamped feel. Numerals follow the same rugged texture, maintaining consistent weight while varying subtly in edge breakup from character to character.

Best suited for display settings where texture is part of the message: posters, book and album covers, title cards, branded ephemera, and packaging that wants a printed-by-hand or archival-document feel. It can work for short editorial passages or pull quotes when a gritty, analog voice is desired, but performs most confidently in headings and medium-to-large sizes.

The font conveys an archival, utilitarian tone—like documents produced on a well-used machine or reproduced through photocopy and newsprint. Its distressed texture adds tension and atmosphere, giving it a gritty, investigative character that can feel nostalgic, industrial, or slightly ominous depending on context.

The design appears intended to evoke typewritten communication and aged reproduction, combining sturdy slab-serif construction with deliberate wear to suggest history, grit, and imperfect ink transfer. It prioritizes atmosphere and tactile realism while keeping familiar typewriter proportions for straightforward readability.

In the sample text, the distress remains prominent at text sizes, creating a grainy color on the page and a tactile, inked presence. The irregular edge treatment is consistent enough to read as deliberate texture rather than random noise, but it will visually dominate in dense paragraphs and can reduce crispness at small sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸