Sans Superellipse Adrud 1 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: headlines, logos, branding, ui display, posters, futuristic, techy, clean, friendly, modular, modernization, tech aesthetic, geometric identity, distinctive display, rounded corners, squared rounds, geometric, stencil-like, open apertures.
A geometric sans built from rounded-rectangle and superellipse-like forms, with consistently rounded corners and mostly straight, monoline strokes. Curves tend to resolve into flat terminals, giving letters a squared-off, modular feel rather than purely circular bowls. Counters are generally open and simplified, with distinctive constructed shapes in characters like G, S, R, and the digit set; several glyphs use cut-ins and breaks that read as intentional, stencil-like detailing. The overall rhythm is even and orderly, with a compact, engineered silhouette and clear separation between strokes and counters.
Best suited to headlines, brand marks, packaging, and poster typography where its constructed geometry can be appreciated. It also works well for UI/display labeling and tech-oriented graphics, especially when a modern, rounded-rect aesthetic is desired. For longer text, it will read most comfortably at larger sizes where the stylized cuts and squared curves remain clear.
The tone is contemporary and slightly sci‑fi: precise, minimal, and system-like, but softened by rounded corners that keep it approachable. Its constructed geometry suggests technology, interfaces, and industrial design, while maintaining a friendly, modern neutrality suitable for brand-forward display typography.
The design appears intended to merge a clean sans framework with a rounded-rect, modular construction, creating a distinctive, tech-leaning voice without becoming harsh. The recurring cut-ins and flattened curves suggest an emphasis on systematized shapes and strong identity for display and branding contexts.
Distinctive letterforms (notably the angular, segmented S and Z, the squared C/G, and the looped construction in forms like W and some numerals) create a recognizable voice that becomes more prominent at larger sizes. The simplified, modular shapes emphasize pattern and consistency, sometimes prioritizing stylization over conventional typographic detailing.