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Free for Commercial Use

Sans Normal Ofbod 5 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Hanley Pro' by District 62 Studio; 'Nanami', 'Nanami Pro', and 'Nanami Rounded Pro' by HyperFluro; and 'Basecoat' by Jonathan Ball (names referenced only for comparison).

Keywords: headlines, posters, branding, logos, packaging, friendly, confident, playful, modern, approachable, impact, approachability, clarity, modernity, rounded, geometric, chunky, high-contrast counters, soft corners.


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A heavy, geometric sans with strongly rounded bowls and broadly circular counters. Strokes are consistently thick, producing a solid, poster-like color, while terminals and joins feel softened rather than sharp. Uppercase forms are compact and sturdy with wide curves on C/G/O and simple, blocky construction on E/F/T. Lowercase uses single-storey shapes (notably a and g) with large apertures and generous inner space, keeping forms recognizable even at bold sizes. Numerals are similarly robust and rounded, matching the overall rhythm and weight distribution.

This font is strongest in display settings such as headlines, posters, brand marks, and packaging where its bold, rounded forms can carry personality and impact. It can work for short UI labels or callouts when ample spacing and size are available, but it is less suited to long-form reading due to its very heavy typographic color.

The overall tone is friendly and upbeat, with a confident, contemporary presence. Its rounded geometry and hefty weight give it a playful warmth that feels accessible rather than severe, making it well-suited to attention-grabbing, personable messaging.

The design appears intended to deliver a modern, friendly geometric voice with high impact. It prioritizes bold clarity and a rounded, approachable silhouette for branding-forward typography and attention-first layouts.

Large counters and open shapes help prevent the dense weight from feeling overly clogged, especially in letters like e, a, and s. The design reads best when allowed some breathing room; tighter tracking can make the already-dark texture feel more compact in longer lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸