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Free for Commercial Use

Sans Superellipse Okmed 5 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Navine', 'Revx Neue', and 'Revx Neue Rounded' by OneSevenPointFive (names referenced only for comparison).

Keywords: ui design, app text, wayfinding, product labeling, dashboards, clean, technical, friendly, modern, utilitarian, system clarity, modern branding, screen readability, geometric consistency, friendly utility, rounded, soft corners, geometric, open apertures, high legibility.


Free for commercial use
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A rounded, geometric sans built from softly squared curves and rounded-rectangle counters. Strokes stay even and consistent, with rounded terminals throughout and minimal contrast. Letterforms favor compact, engineered geometry: bowls are squarish, joins are smooth, and corners are systematically softened. Spacing reads steady and controlled, and the overall rhythm is tidy with clear, open interior shapes in both uppercase and lowercase.

This font is well-suited to UI and product contexts where clarity at a range of sizes matters, such as app interfaces, dashboards, and on-device text. Its compact, rounded geometry also works well for signage and labeling systems, and for clean, contemporary brand applications that need a technical but approachable voice.

The tone feels modern and pragmatic with a friendly edge. Its rounded corners and squared curves give it a slightly tech-forward, interface-like personality while staying approachable rather than sterile. The overall impression is straightforward and reliable, suited to contemporary branding that wants clarity without harshness.

The design appears intended to deliver a systematized, contemporary sans with rounded-square geometry for consistent, high-clarity typography. It emphasizes even stroke behavior and simplified construction to stay stable across headlines and body settings while maintaining a distinctive, soft-cornered identity.

Distinctive superellipse-style curves show up strongly in rounded letters and numerals, producing a consistent “rounded-square” silhouette across the set. Diacritics and punctuation shown in the sample keep the same rounded, monoline logic, reinforcing a cohesive system look in running text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸