Sans Superellipse Oklev 8 is a regular weight, normal width, low contrast, upright, tall x-height font visually similar to 'Gibstone' by Eko Bimantara, 'Pilcrow' and 'Pilcrow Soft' by Indian Type Foundry, and 'Molde' by Letritas (names referenced only for comparison).
Keywords: ui text, app branding, signage, packaging, editorial, friendly, modern, clean, soft, approachable, modern utility, soft geometry, brand friendliness, screen legibility, rounded, geometric, monoline, open, smooth.
A rounded geometric sans with a distinctly soft, superellipse-driven construction. Strokes are largely monoline and terminate in fully rounded ends, giving corners and joins a smooth, cushioned feel. Counters are open and generous, with circular/rounded-rectangular bowls and consistent curvature across letters and numerals. The lowercase shows a tall x-height and simple, single-storey forms (notably a and g), keeping the texture even and highly legible at display and text sizes; numerals follow the same rounded, monoline logic with clear, uncomplicated silhouettes.
This font works well for UI and product interfaces, where open forms and smooth rounding support comfortable reading and a friendly tone. It also suits modern branding, packaging, and wayfinding/signage, especially in contexts that benefit from a clean geometric look with softened edges.
The overall tone is friendly and contemporary, balancing a technical geometric base with a warm, human presence from the rounded terminals. It feels calm and accessible rather than sharp or formal, suitable for interfaces and brand systems that want modern clarity without austerity.
The design appears intended to deliver contemporary, functional readability while differentiating through superellipse-like curves and rounded terminals. It aims for a neutral, versatile core with an approachable personality that stays consistent from headings to longer passages.
Rhythm is steady with minimal stroke modulation, and the rounded finishing treatment is consistent across straight stems, diagonals, and curves. The shapes avoid hard corners, which reduces visual noise in dense text and reinforces a cohesive, soft-edged voice.