Hollow Other Ilzu 4 is a regular weight, very wide, low contrast, upright, normal x-height font.
Keywords: posters, headlines, zines, album art, editorial display, typewriter, worn, gritty, analog, handmade, vintage print, distressed texture, typewriter mimicry, analog authenticity, monospaced feel, ink bleed, rough edges, distressed, blunt serifs.
A distressed, typewriter-like roman with chunky, blunt slab terminals and softly irregular outlines that mimic ink spread and mechanical wear. Strokes stay largely even in thickness, with subtle wobble and occasional hollows/knockouts that break up counters and joins, adding a cut-out, stamped texture. Forms are broad and open, with squarish curves, sturdy horizontals, and a consistent baseline presence created by frequent underlines and heavy feet on many glyphs. Overall rhythm feels intentionally uneven and printed rather than drawn with clean vector precision.
Best suited to display settings where texture is a feature: posters, headlines, zines, album/cover art, and editorial pull quotes. It can also work for packaging or branding that wants an analog, stamped tone, especially when set with generous spacing to let the rough details read clearly.
The font reads as archival and tactile—evoking carbon copy, newsprint, and battered office ephemera. Its roughened texture and intermittent cutouts lend a gritty, lo-fi character that feels documentary, imperfect, and a bit rebellious.
The design appears aimed at recreating the look of worn typewritten or stamped lettering, using distressed edges and occasional internal knockouts to simulate ink gaps and mechanical degradation. The wide stance and heavy terminals emphasize impact and legibility while keeping the overall voice unmistakably analog.
Numbers and capitals carry the same worn texture as the lowercase, keeping the set cohesive in mixed copy. The most distinctive signature is the recurring base-heavy treatment on many letters, which creates a strong horizontal drag across words and amplifies the vintage machine-printed impression.