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Free for Commercial Use

Sans Normal Kanon 11 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Gimbal Grotesque' by AVP, 'FF Mark' and 'FF Mark Paneuropean' by FontFont, 'Conamore' by Grida, 'Accia Sans' by Mint Type, 'Core Sans N SC' and 'Core Sans NR' by S-Core, and 'NuOrder' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, sports branding, advertising, packaging, sporty, energetic, confident, modern, punchy, emphasis, motion, impact, modernity, branding, oblique, geometric, rounded, compact, clean.


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This typeface is a heavy, oblique sans with smooth, rounded curves and largely uniform stroke weight. Forms lean forward with a consistent slant, and counters are open and generously sized for the weight, especially in round letters like O, Q, and 0. Terminals are clean and mostly straight-cut, with a slightly softened feel from the overall curvature. Uppercase proportions are broad and stable, while the lowercase keeps a straightforward, single-storey construction (notably the a and g), producing a clear, contemporary rhythm across words and numerals.

Best suited for display settings such as headlines, posters, sports and lifestyle branding, promotional graphics, and punchy packaging where a forward-leaning emphasis is desirable. It can also work for short subheads or callouts, but its weight and slant are most effective when used large and with ample spacing.

The forward slant and dense weight give it an assertive, kinetic tone that feels sporty and promotional. Its rounded geometry keeps the voice friendly rather than aggressive, making it read as confident, contemporary, and action-oriented.

The design appears intended to deliver a strong, modern display voice with an italicized sense of motion, while keeping letterforms simple and broadly legible through rounded geometry and open counters.

The numeral set follows the same rounded, sturdy construction as the letters, with a distinct 0 and a simple, angled 1 that match the oblique stance. Diacritics and punctuation in the sample maintain the same bold, clean treatment, supporting headline use where the slant and weight become a key part of the personality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸