Sans Superellipse Wafa 2 is a very bold, very wide, monoline, upright, tall x-height font.
Keywords: headlines, posters, branding, gaming ui, sports graphics, futuristic, tech, sporty, assertive, industrial, impact, modernity, tech aesthetic, display clarity, brand distinctiveness, rounded, square-cut, streamlined, geometric, compact.
A heavy, geometric sans built from rounded-rectangle and superellipse-like forms. Corners are broadly radiused and joins stay smooth, producing a soft-edged, machined silhouette. Counters tend to be squarish with rounded corners, and several letters incorporate horizontal slot-like cut-ins (notably in E/F and some numerals), reinforcing a constructed, modular feel. The rhythm is stable and uniform, with low contrast and clean, consistent stroke behavior; apertures are generally controlled and the overall texture reads dense and punchy in text.
Works best for bold display settings such as headlines, event posters, esports and gaming interfaces, product branding, and tech/sports graphics where a strong, futuristic voice is desirable. In longer passages it maintains a consistent texture, but its dense shapes and decorative slot details favor short to medium bursts of text, especially at larger sizes.
The font conveys a contemporary, engineered tone—confident, fast, and slightly sci‑fi. Its rounded-square geometry feels tech-forward and sporty rather than friendly, suggesting precision and performance.
The design appears intended to merge soft, rounded corners with a precise, engineered construction, creating a modern display sans with a recognizable, tech-driven signature. The recurring rounded-rectangle counters and cut-in strokes suggest an emphasis on a cohesive, modular system that stays impactful across letters and figures.
The caps lean toward wide, low-profile shapes with generous rounding, while the lowercase keeps a compact, industrial structure that holds up in blocks of copy. Distinctive internal notches/slots add character but also increase visual noise at smaller sizes, making the face feel most at home when it can be given room to breathe.