Sans Normal Vimip 6 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Punkto' by Ahmet Altun, 'Ageo' by Eko Bimantara, and 'PGF Qualta' by PeGGO Fonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, ui labels, dynamic, sporty, friendly, modern, confident, express motion, modernize tone, maximize impact, maintain clarity, oblique, rounded, geometric, clean, high legibility.
This is an oblique sans with a sturdy, even stroke and smoothly rounded curves. The forms lean consistently forward, with broad circular bowls (O, Q, 0, 8) and compact apertures that keep counters clean and readable. Terminals are generally blunt and slightly softened, giving the letters a solid, contemporary feel. Uppercase proportions are wide and stable, while lowercase maintains a straightforward construction with a single-storey a and g, a short-armed r, and simple, upright stems that follow the italic slant. Numerals are similarly robust and rounded, matching the letterforms in weight and curvature.
It performs best in short to medium-length settings where a bold, slanted voice helps establish hierarchy—headlines, promotional graphics, sports or active-lifestyle branding, and punchy packaging copy. At smaller sizes it can also work for UI labels and calls to action when you want a sense of momentum without sacrificing legibility.
The overall tone is energetic and contemporary, with a forward-leaning posture that suggests motion and immediacy. Its rounded geometry and steady rhythm read as approachable rather than severe, making it feel friendly while still assertive enough for attention-grabbing settings.
The design appears intended to deliver a clean, modern sans voice with built-in motion from its oblique stance, balancing geometric roundness with sturdy, simplified details for clear reading and strong impact.
The glyph set shown emphasizes clarity through uncomplicated shapes and consistent curvature, with a noticeable geometric underpinning in round letters and a pragmatic, no-frills treatment of joins and terminals. The italic angle is strong enough to be expressive without turning into a script-like texture.