Sans Superellipse Gegeb 11 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Benton Sans' and 'Benton Sans Std' by Font Bureau, 'Grillmaster' by FontMesa, 'Classic Grotesque' by Monotype, 'Goudar HL' by Stawix, 'Cargi' by Studio Principle Type, 'Calps' by Typesketchbook, 'Ggx89' by Typodermic, and 'Cervino' and 'Cervo Neue Condensed' by Typoforge Studio (names referenced only for comparison).
Keywords: headlines, posters, packaging, logo, sports branding, playful, punchy, retro, friendly, energetic, attention, approachability, motion, compactness, display, slanted, chunky, rounded, compressed, bouncy.
A compact, heavy, right-slanted sans with soft, swollen curves and subtly squared-off rounds. Strokes are thick and consistent, with a slightly uneven, hand-cut rhythm that makes verticals and diagonals feel lively rather than rigid. Counters are tight and openings are small, producing dense color and strong silhouettes. Terminals tend to be blunt and rounded, and many forms show gentle bulging and taper-like irregularity that reads as intentionally organic rather than mechanical.
Best suited to short, high-impact settings such as headlines, posters, product packaging, event graphics, and bold wordmarks. It performs well when you want a compact block of text with strong presence—titles, badges, and energetic branding—rather than extended reading at small sizes.
The overall tone is upbeat and attention-grabbing, with a vintage poster and cartoon-title energy. Its slanted stance and bouncy shapes add motion and humor, giving headlines a friendly assertiveness without feeling sharp or technical.
The design appears aimed at delivering maximum impact in a condensed footprint while staying approachable through rounded geometry and a casual, slightly irregular flow. The slant and soft corners suggest a display-first style meant to feel fast, fun, and memorable.
The numerals follow the same compact, weighty construction, with especially bold, rounded forms that hold up well at display sizes. In text lines, the tight apertures and dense fill create a strong black mass, emphasizing impact over long-form readability.