Sans Superellipse Pogod 3 is a regular weight, narrow, low contrast, upright, tall x-height font visually similar to 'EastBroadway' by Tipos Pereira (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, ui labels, tech, industrial, futuristic, utilitarian, retro, space efficiency, technical tone, modular geometry, display impact, condensed, square-rounded, monoline, geometric, rectilinear.
A condensed, monoline sans with a squared-off, superellipse construction: rounds are expressed as rounded rectangles rather than true circles. Strokes stay even with minimal contrast, and terminals are predominantly straight and blunt, producing crisp corners softened by small radii. Counters are compact and often rectangular, with a notably tall x-height and short ascenders/descenders that keep lowercase forms tight. Overall rhythm is disciplined and vertical, with occasional angled joins (notably in diagonals) that add a slightly engineered, modular feel.
Best suited to display settings where a compact, technical silhouette is an advantage—headlines, posters, logos/wordmarks, packaging, and signage. It can also work for UI labels and dashboards where space is constrained and a clean, engineered tone is desired, though generous tracking may help at smaller sizes.
The font reads as technical and utilitarian, with a distinctly futuristic/industrial tone reminiscent of labeling, interfaces, and equipment markings. Its narrow, squared geometry gives it a controlled, no-nonsense voice that can also feel subtly retro—like mid‑century signage or sci‑fi titling—depending on context and spacing.
The design appears intended to deliver a space-efficient sans with a strong geometric identity, using superellipse-inspired forms to balance hard-edged structure with approachable rounding. Its tall x-height and condensed proportions suggest an emphasis on dense, high-impact setting for modern interface and display contexts.
Rounded-rectangle bowls and counters create a consistent “soft square” motif across both uppercase and lowercase. The digit set follows the same modular logic, appearing compact and sign-like, with squared curves and clear, stencil-adjacent simplicity without actually breaking strokes.