Sans Superellipse Rymen 1 is a regular weight, normal width, medium contrast, upright, tall x-height font visually similar to 'EastBroadway' by Tipos Pereira (names referenced only for comparison).
Keywords: ui labels, tech branding, posters, signage, packaging, techy, retro-futurist, industrial, utilitarian, game-like, geometric styling, technical clarity, futuristic tone, systematic consistency, squared, rounded corners, condensed feel, modular, angular curves.
This typeface is built from squared, superellipse-like forms with rounded corners and mostly uniform stroke widths. Curves resolve into flattened arcs and rounded rectangles, giving bowls and counters a boxy geometry (notably in O, Q, 0, and 8). Terminals are predominantly straight and clipped, with minimal modulation, producing a crisp, engineered silhouette. Lowercase shapes are compact and structured, with single-storey forms and tight apertures; the figures echo the same rounded-rectangle construction for strong set consistency.
Well-suited to interface headings, dashboards, and product labeling where a technical, geometric look is desired. It also works effectively for posters and branding in sci‑fi, gaming, and electronics contexts, and can read clearly in short headlines or compact informational text.
The overall tone feels technical and system-oriented, with a subtle retro-digital flavor. Its modular rounding and squared proportions suggest machine interfaces, instrumentation, and futuristic signage rather than warm editorial typography. The voice is confident and functional, with a slightly game/UI energy.
The design appears intended to translate rounded-rectangle geometry into a practical sans for contemporary tech-forward graphics. By keeping strokes even and corners consistently softened, it aims for a clean, manufactured appearance that stays distinctive in both caps and mixed-case settings.
The design maintains a consistent corner radius across letters and numerals, which creates a cohesive rhythm in blocks of text. Diagonals are sharp and decisive (V, W, X, Y, Z), while rounded characters remain distinctly squarish, reinforcing a geometric, fabricated aesthetic.