Slab Square Opba 3 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Manas' by Fontuma (names referenced only for comparison).
Keywords: body text, editorial, book typography, headlines, packaging, sturdy, traditional, confident, workmanlike, durability, readability, authority, print utility, clarity, slab serifs, bracketed slabs, robust serifs, ink-trap feel, crisp joins.
A sturdy slab-serif with pronounced, blocky serifs and a largely even stroke color. The letterforms are built on clear, classical proportions with moderately wide bowls and open counters, while terminals tend to end in flat, squared slabs that keep lines crisp at text sizes. Subtle shaping at joins and corners adds a slightly ink-trap-like practicality, helping dense strokes stay distinct without introducing noticeable contrast. Overall spacing and rhythm feel steady and readable, with numerals and capitals carrying a solid, grounded presence.
Well-suited to editorial typography where a firm, readable texture is needed, including books, magazines, and long-form print. The strong slabs also make it effective for headlines, subheads, and packaging or labels that benefit from a sturdy, trustworthy voice. It can serve well in branding and signage when a traditional, no-nonsense presence is desired.
The tone is dependable and authoritative, with an editorial seriousness that reads as practical rather than decorative. Its strong slabs and steady texture give it a confident, institutional voice suited to information-heavy settings. The overall impression is classic and workmanlike, with a hint of vintage printing sturdiness.
The design appears intended to deliver a durable slab-serif voice that stays clear in continuous reading while projecting authority in display settings. Its squared terminals and robust serifs emphasize stability and legibility, aiming for a dependable workhorse feel with classic proportions.
In the text sample, the font maintains a consistent, dark typographic color and holds up well in longer passages, suggesting careful attention to interior space and serif durability. Uppercase shapes appear particularly stable and stately, while lowercase forms keep a straightforward, readable rhythm.