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Free for Commercial Use

Sans Rounded Ogku 3 is a light, normal width, low contrast, italic, normal x-height font visually similar to 'Beround', 'Beround Pro', 'Olyford', 'Onry Display', and 'Rewalt' by NicolassFonts (names referenced only for comparison).

Keywords: branding, packaging, ui labels, posters, headlines, friendly, casual, modern, soft, approachable, warmth, informality, approachability, contemporary clarity, rounded, humanist, monoline, open apertures, smooth curves.


Free for commercial use
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A monoline sans with a consistent rightward slant and generously rounded terminals throughout. Letterforms are built from smooth, continuous strokes with soft joins and minimal sharp corners, creating an even rhythm across words. Counters are open and circular (notably in C, O, e, and o), and proportions feel slightly humanist, with gentle variation in curvature and a relaxed baseline presence. Numerals follow the same rounded, single-stroke logic, with simple forms and softly finished ends.

Well suited to brand voices that want to appear approachable and modern—such as lifestyle packaging, café/retail identities, and friendly product messaging. It can work effectively for short-to-medium text in interfaces and marketing materials where a warm tone is desirable, and it also performs nicely in headlines or pull quotes that benefit from energetic, italic rhythm.

The overall tone is friendly and informal, pairing a contemporary sans structure with a handwritten ease. Its rounded finishing and steady italic motion make it feel welcoming and conversational rather than technical or strict. The texture stays clean and readable, but the slant and softened details add warmth and personality.

The design appears intended to combine the clarity of a rounded sans with a casual italic flow, prioritizing friendliness and smooth readability. Its softened terminals and open shapes suggest an aim for a contemporary, non-intimidating voice that stays neat while feeling personable.

Curves and terminals are consistently softened, and stroke endings rarely resolve to hard horizontals, reinforcing a fluid, continuous feel. The italic construction reads as a true oblique/italic style rather than a rigid mechanical slant, giving text a lively forward motion without becoming noisy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸