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Sans Normal Otdaj 2 is a regular weight, wide, monoline, upright, tall x-height, monospaced font visually similar to 'Monosten' and 'Monosten Stencil' by Colophon Foundry, 'Binomic' by DearType, 'EF Thordis Mono' by Elsner+Flake, and 'Centra Mono' by Monotype (names referenced only for comparison).

Keywords: ui labels, coding, captions, packaging, posters, friendly, retro, informal, approachable, playful, humanized mono, clear labeling, retro computing, friendly display, rounded, soft corners, chunky, open counters, even rhythm.


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This typeface has a rounded, soft-shouldered construction with even stroke thickness and gently blunted terminals throughout. Curves are generously circular and corners are eased rather than sharp, giving letters a slightly bouncy, hand-shaped feel while remaining consistent from glyph to glyph. The proportions are roomy with open counters and broad forms, and the lowercase features a tall, prominent x-height that keeps text dark and readable. Numerals and capitals share the same sturdy, simplified geometry, with minimal contrast and clear, uncomplicated silhouettes.

It works well where consistent character widths and a strong, even texture are helpful—such as UI labels, tabular readouts, coding environments, or terminal-style interfaces. The bold, rounded forms also suit short headlines, posters, packaging, and playful branding where a friendly, no-fuss voice is desired.

The overall tone is friendly and casual, with a mild retro flavor reminiscent of typewriter and early-computer display lettering interpreted through softer, rounder shapes. Its steady rhythm and uncomplicated forms feel approachable and unpretentious, lending a playful warmth without becoming overly decorative.

The design appears intended to combine the predictability of fixed-width lettering with a softer, more humanized sans tone. It prioritizes uniform rhythm, clear silhouettes, and a welcoming personality suitable for both functional text and informal display settings.

In running text the spacing and repeated widths create a tidy, grid-like texture, while the rounded terminals keep the page color from feeling rigid. The design favors clarity over nuance, with simplified joins and a consistent, sturdy presence across letters and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸