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Free for Commercial Use

Wacky Teha 7 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Monton' by Larin Type Co, 'Headlines' by TypeThis!Studio, and 'Hockeynight Sans' by XTOPH (names referenced only for comparison).

Keywords: headlines, posters, sports branding, gaming, packaging, energetic, sporty, punchy, retro, playful, grab attention, suggest speed, brand impact, display emphasis, slab-like, angular, beveled, forward-leaning, condensed.


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A heavy, forward-leaning display face with compact proportions and a strong, blocky rhythm. Forms are built from broad, low-contrast strokes with squared and subtly rounded corners, plus frequent chamfered cuts that create a beveled, “speed” impression. Terminals are mostly blunt and slab-like, with tight counters and simplified interior shapes that keep the silhouette bold. Overall spacing feels disciplined but not strictly uniform, contributing to a slightly idiosyncratic, custom-lettered texture in text settings.

Best suited to headlines and short bursts of copy where the bold silhouette can do the work—posters, sports and esports branding, gaming/arcade-themed graphics, and high-impact packaging. It can also perform well in logos or wordmarks that want a fast, aggressive slant and compact footprint, especially when given room to breathe.

The tone is loud and kinetic, with a sporty, arcade-like attitude that reads as playful rather than formal. Its sharp angles and shaved corners suggest motion and impact, making the voice feel action-oriented and attention-seeking. The result is a fun, headline-first personality with a hint of retro display styling.

The design appears intended to deliver maximum impact in a condensed, slanted footprint, using beveled cuts and blunt terminals to imply speed and toughness. Its consistent, modular construction suggests a display tool built for energetic branding and attention-grabbing titling rather than quiet, continuous reading.

Uppercase and lowercase share a consistently compact, engineered look, and the numerals match the same angular, cut-corner construction for cohesive branding. In longer lines, the strong slant and tight apertures build a dense texture, so it benefits from generous tracking and larger sizes when clarity is critical.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸