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Sans Superellipse Kery 12 is a very bold, narrow, monoline, italic, normal x-height font visually similar to 'Adversary BB' by Blambot, 'FX Neofara' by Differentialtype, 'Diamante EF' by Elsner+Flake, 'Posey' by Graphicfresh, 'Helison' by RantauType, 'TS Diamante' by TypeShop Collection, and 'Alterous Display' and 'Alterous Text' by ZetDesign (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, logos, sporty, dynamic, assertive, retro, industrial, impact, compactness, speed, strength, display, condensed, oblique, blocky, square-rounded, angular.


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A heavy, condensed oblique sans with rounded-rectangle geometry and squared counters. Strokes are consistently thick with minimal contrast, producing dense, compact letterforms and a strong horizontal rhythm. Corners are generally softened into superellipse-like rounds while terminals stay blunt, and many glyphs show slight notch-like joins and tight apertures that emphasize a mechanical, cut-from-solid feel. Numerals follow the same compact, squared construction with prominent corners and sturdy bowls.

Best suited to short, high-impact typography such as headlines, posters, sports or esports identities, product packaging, and bold wordmarks. It can also work for signage or labels where a condensed footprint is helpful, especially when set with generous tracking to keep interiors from filling in.

The overall tone is fast and forceful, reading like performance branding and competitive graphics. Its slanted stance and compressed proportions add urgency and motion, while the squared, robust shapes suggest strength, machinery, and impact.

The design appears intended to deliver maximum impact in a compact width while projecting speed and strength. Rounded-square construction and blunt terminals reinforce a rugged, industrial voice tailored for display typography rather than quiet text work.

At larger sizes the compact counters and tight joins create a distinctive texture that feels engineered rather than neutral. The oblique angle is pronounced and consistent, which helps maintain forward momentum across long lines, but the dense internal spaces can make small-size settings feel darker and more closed.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸