Sans Other Tena 3 is a regular weight, wide, monoline, upright, normal x-height font.
Keywords: headlines, logos, posters, branding, packaging, futuristic, techno, space-age, industrial, modular, distinctive display, tech aesthetic, modular system, industrial labeling, stencil-like, geometric, rounded, segmented, streamlined.
A monoline, geometric sans with rounded corners and a segmented, stencil-like construction. Many curves are formed from near-circular arcs with deliberate breaks, while horizontals and verticals stay straight and even, producing a clean, engineered rhythm. Terminals are typically blunt and squared-off, and several glyphs use distinctive cut-ins or interrupted strokes that read as intentional “gaps” rather than ink traps. Overall spacing feels open and steady, with a consistent stroke presence that keeps the texture uniform in words and numerals.
Best suited to display typography where its segmented geometry can be appreciated: headlines, posters, logotypes, and brand marks with a tech or industrial slant. It can also work for short UI labels, signage-style graphics, and packaging accents when set at comfortable sizes with generous spacing.
The segmented strokes and circular cutouts give the face a futuristic, techno tone reminiscent of sci‑fi interfaces, instrumentation, and industrial labeling. It feels modern and mechanical rather than friendly or handwritten, with a controlled, modular character that suggests precision.
The likely intention is to create a contemporary sans with a distinctive, modular “cut” system that differentiates it from standard geometric faces. By combining clean monoline structure with repeated breaks through key strokes, it aims to evoke modern technology and engineered precision while staying readable in short text.
The design relies on repeated motifs—especially breaks through bowls and counters—to create a strong visual signature. Those interruptions add personality at display sizes, but they also make similar shapes (notably rounded letters and some numerals) feel more stylized and emblematic than purely utilitarian.