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Free for Commercial Use

Sans Normal Oskuw 4 is a bold, wide, medium contrast, upright, normal x-height font visually similar to 'Linotype Ergo', 'Linotype Ergo Paneuropean', 'Linotype Ergo W2G', 'Neue Frutiger Arabic', 'Neue Frutiger Hebrew', and 'Neue Frutiger Thai' by Linotype and 'Arlonne Sans Pro' by Sacha Rein (names referenced only for comparison).

Keywords: headlines, posters, signage, branding, packaging, modern, confident, friendly, sturdy, clean, impact, legibility, modernity, approachability, clarity, geometric, rounded, high-impact, compact joins, open counters.


Free for commercial use
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A heavy, geometric sans with broad proportions and smooth, rounded curve work. Strokes are uniform and full, with clean terminals and minimal modulation, creating dense, high-ink letterforms. Curves lean toward circular construction (notably in C, G, O, and e), while diagonals in A, V, W, X, and Y are straight and crisp, keeping the overall texture even. Lowercase forms are sturdy and simple, with a two-storey g, a compact t with a short crossbar, and a single-storey a; spacing and shapes remain consistent across letters and numerals for a solid, readable rhythm.

Best suited to display settings where strong presence matters, such as headlines, posters, signage, and prominent UI/marketing callouts. It can work for short blocks of text at larger sizes where a firm, modern sans voice is desired, and it’s particularly effective in branding and packaging that need an approachable but confident feel.

The font communicates a straightforward, contemporary tone with a friendly softness from its rounded geometry, while the weight and width add assertiveness. It feels dependable and no-nonsense, but not harsh—suited to bold communication that still wants an approachable voice.

The design appears intended to deliver a bold, contemporary sans with geometric clarity and friendly rounding, balancing impact with straightforward legibility. Its consistent construction suggests a focus on versatile display use across print and digital applications.

Round glyphs show generous interior counters for the weight, helping prevent clogging at display sizes. Numerals are similarly robust, with a clear, modern construction that matches the letters. Overall texture is smooth and uniform, giving headlines a strong, stable block of color.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸