Sans Superellipse Onbas 15 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Orgon' and 'Orgon Plan' by Hoftype, 'Anodina' by Stefano Giliberti, and 'Obvia' by Typefolio (names referenced only for comparison).
Keywords: ui, branding, headlines, signage, packaging, modern, techy, friendly, confident, clean, clarity, modernization, approachability, systematic geometry, display impact, rounded corners, soft terminals, squared bowls, geometric, high legibility.
A heavy, geometric sans with a pronounced superellipse construction: curves read as rounded rectangles rather than pure circles, giving bowls and counters a squared-off softness. Strokes are largely uniform, with clean joins and consistently rounded outer corners and terminals. Proportions are compact and sturdy, with wide, open counters and straightforward letterforms that keep interior space readable at display sizes. Numerals and capitals follow the same squarish-rounded logic, producing a cohesive, blocky rhythm across the set.
Well-suited to user interfaces, app and product branding, and bold headline typography where crisp shapes and open counters aid quick recognition. It also works effectively for signage and packaging where a contemporary, friendly geometric voice is needed at medium to large sizes.
The overall tone is contemporary and approachable, combining a tech-forward geometry with softened edges that keep it from feeling harsh. Its sturdy shapes communicate confidence and clarity, while the rounded corners add a friendly, product-oriented warmth.
The font appears designed to deliver a modern geometric look with softened superelliptical forms, prioritizing clarity and cohesion across letters and numbers. Its consistent rounding and sturdy proportions suggest an intention to bridge technical precision with an approachable, consumer-facing feel.
The design favors stable horizontals and verticals with minimal modulation, and the rounded-corner treatment is consistent across curves, corners, and terminals. The lowercase shows simple, utilitarian forms that emphasize clarity over calligraphic nuance, reinforcing a pragmatic, interface-ready character.