Sans Normal Ofdap 6 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Artegra Sans' by Artegra, 'Arkais' by Logitype, 'Golca' by Pepper Type, 'Motiva Sans' by Plau, 'Clear Sans' by Positype, and 'Plathorn' by insigne (names referenced only for comparison).
Keywords: posters, headlines, branding, packaging, signage, friendly, playful, retro, chunky, confident, high impact, approachability, retro display, bold branding, headline clarity, soft corners, rounded, tapered joins, bulbous, compact counters.
A heavy, rounded sans with broad proportions and softly swelling strokes. Terminals are mostly blunt but often show subtle tapering or wedge-like shaping at joins, giving the outlines a slightly carved, poster-like feel rather than purely geometric construction. Counters are relatively small for the weight, with smooth curves and a consistent, sturdy rhythm across uppercase and lowercase. The numerals share the same chunky, rounded build, staying highly legible with generous overall silhouettes despite the tight internal spaces.
This font is best suited to display applications such as posters, bold headlines, brand marks, packaging, and short-form signage where its chunky silhouettes can carry visual presence. It can also work for punchy UI banners or social graphics, but extended small text may feel dense due to the tight counters and heavy color.
The tone reads warm and approachable, with a playful retro character that feels suited to bold, attention-getting statements. Its rounded massing and gentle shaping soften the impact of the weight, keeping it friendly rather than aggressive. Overall it suggests cheerful, upbeat messaging with a hint of vintage display energy.
The design appears intended to deliver maximum impact with a friendly, rounded voice—combining bold, wide letterforms with softened corners and subtle tapered details to avoid a purely mechanical look. It aims for clear, high-visibility lettershapes with enough personality to stand out in branding and headline contexts.
The lowercase shows a lively, slightly idiosyncratic feel in curved letters and bowls, while the uppercase remains straightforward and solid. Spacing in the samples appears comfortable for display settings, and the strong black shapes hold together well in large headlines where the subtle terminal shaping becomes visible.