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Free for Commercial Use

Sans Superellipse Ibmof 5 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Home Room JNL' by Jeff Levine and 'Beachwood' by Swell Type (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, logos, industrial, sporty, retro, assertive, playful, impact, distinctiveness, signage, brand voice, display strength, blocky, rounded, squared, compact, stencil-like.


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A heavy, block-oriented sans with rounded-rectangle construction and softened corners throughout. Strokes are monolinear and dense, with large counters that read as rectangular apertures rather than circular bowls. Curves tend to resolve into squarish arcs, and many joins feel machined and geometric, creating a compact, poster-ready silhouette. Several letters incorporate narrow vertical interior cuts that give a subtle stencil/inline effect without breaking the outer contour.

Best suited to headlines, posters, and punchy brand moments where maximum impact is needed. It works well for packaging, sports or entertainment branding, and logo/wordmark exploration where rounded-square geometry can create a distinctive, engineered presence. For long passages of small text, the dense weight and compact counters may feel heavy, so it’s most effective in display contexts.

The overall tone is bold and punchy, with a sporty, industrial edge and a hint of arcade-era nostalgia. Its squared curves and chunky rhythm feel confident and mechanical, while the rounded corners keep it approachable rather than severe.

The design appears intended to deliver an immediately recognizable, high-impact voice built from rounded-rectangular forms, balancing a machined, industrial structure with friendly corner rounding. The inline-like interior cuts add a signature detail that increases texture and distinction in large-scale typography.

Spacing and proportions favor strong, stable word shapes with minimal delicacy; details are designed to survive at display sizes where the interior cuts become part of the texture. The uppercase is particularly solid and uniform, while the lowercase maintains the same squared, robust vocabulary for a cohesive family feel.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸