Sans Superellipse Oldoz 5 is a bold, narrow, low contrast, upright, tall x-height font visually similar to 'Laqonic 4F' by 4th february and 'Marce' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, packaging, branding, signage, industrial, assertive, utilitarian, contemporary, compact, space saving, high impact, systematic look, modern utility, condensed, blocky, rounded corners, square-oval, tight apertures.
A condensed sans with sturdy, uniform strokes and rounded-rectangle (superellipse) construction throughout. Curves are squared-off and softened at the corners, giving counters a compact, vertical feel rather than open, airy bowls. Terminals are generally blunt and clean, with minimal modulation and a consistent, engineered rhythm. The lowercase shows a tall x-height and short ascenders/descenders, keeping word shapes dense; the numerals share the same compact, straight-sided proportions for a cohesive texture in text and data.
Best suited to headlines, posters, and display settings where compact width and high visual impact are useful. It can also work well for branding, packaging, and signage systems that benefit from a strong, space-efficient sans. Numerals appear robust and consistent for labels, callouts, and scoreboards or UI readouts at larger sizes.
The overall tone is tough and functional, with a modern, industrial flavor. Its compressed silhouettes and firm geometry communicate urgency and efficiency more than warmth or elegance, making it feel at home in straightforward, no-nonsense messaging.
The design appears intended to deliver maximum presence in limited horizontal space, using superelliptical curves and blunt terminals to keep forms stable and highly legible at display sizes. Its tall lowercase structure suggests an aim for dense, modern text blocks with a confident, utilitarian voice.
The tight apertures and condensed spacing create a strong vertical color on the line, especially in mixed-case passages. Rounded corners prevent the heavy forms from feeling sharp, while the squared curves preserve a technical, sign-like character.