Sans Superellipse Olmif 3 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Cairoli Classic' and 'Cairoli Now' by Italiantype, 'Frontage Condensed' by Juri Zaech, 'Entropia' by Slava Antipov, 'Marce' by Umka Type, 'Chairdrobe' by XTOPH, and 'Blop77' by osialus (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, industrial, condensed, impactful, utilitarian, athletic, space-saving impact, display emphasis, modern utility, bold labeling, blocky, sturdy, compact, poster-like, high-ink.
A compact, tightly proportioned sans with tall verticals and rounded-rectangle construction. Strokes are heavy and even, with minimal modulation, producing a dense, high-coverage silhouette. Curves resolve into squared-off rounds and blunt terminals, keeping counters relatively small and shapes crisp. The lowercase shows single-storey forms (notably a and g), a tall ascender rhythm, and simple, straight-sided joins; numerals follow the same compact, blocky logic with rounded corners and sturdy bowls.
This font is well suited to headlines, posters, and display typography where space is limited and impact is needed. It can work effectively for branding, packaging, and bold signage—especially in short phrases, labels, or condensed lockups that benefit from a compact footprint.
The overall tone is forceful and pragmatic, leaning toward an industrial and athletic sensibility. Its compressed width and dark color create urgency and authority, while the rounded corners soften the severity just enough to feel contemporary rather than purely mechanical.
The design appears intended to deliver maximum presence in a narrow measure, using rounded-rectangle forms to keep the voice modern and consistent. It prioritizes strong texture and silhouette clarity for display use, aiming for a sturdy, no-nonsense look that remains cohesive across uppercase, lowercase, and numerals.
The design maintains a consistent rounded-rectangle geometry across straight and curved forms, which helps it hold together in large settings. Because counters are tight and the overall color is very dark, it reads best where strong silhouette recognition is preferred over delicate interior detail.