Blackletter Yewy 9 is a very bold, wide, high contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, packaging, titles, medieval, authoritative, ornate, dramatic, ceremonial, historical evocation, headline impact, ornamental display, emblematic branding, angular, broken strokes, ink traps, diamond terminals, faceted.
A heavy, faceted blackletter with broad proportions and crisp, broken-stroke construction. Strokes alternate between thick slabs and sharply tapered joins, creating a chiseled, high-impact silhouette with frequent internal notches and counters that read like cutouts. Terminals often resolve into pointed or diamond-like ends, and bowls and arches are built from angled planes rather than smooth curves. Spacing is visually dense, with irregular sidebearings and a slightly varied rhythm across letters, reinforcing a hand-cut, display-first character.
Best suited to short, prominent text such as headlines, posters, mastheads, and title treatments where its dense black texture can be appreciated. It also fits branding for heritage, craft, or gothic-themed packaging and labels, and works well for logos that benefit from a strong, emblematic blackletter voice.
The overall tone is medieval and ceremonial, with a stern, authoritative presence. Its sharp angles and dark texture evoke tradition, heraldry, and old-world print aesthetics, while the bold massing makes it feel dramatic and declarative rather than delicate.
The design appears intended to deliver a classic blackletter look with maximal visual weight and dramatic texture, prioritizing impact and stylistic authenticity over continuous-text comfort. Its faceted joins and angular terminals suggest an aim to mimic carved or inked gothic forms in a modern, bold display setting.
Uppercase forms are especially compact and emblematic, with strong vertical emphasis and pronounced internal facets. Lowercase letters retain the same broken construction and maintain a sturdy, legible x-height for a blackletter style, though the dense interior shapes can close up at smaller sizes. Numerals match the heavy, angular language and feel designed for headline use rather than extended reading.