Sans Superellipse Kepy 2 is a very bold, normal width, monoline, italic, normal x-height font visually similar to 'Erliga' by Haniefart and 'Refolter' by Letterena Studios (names referenced only for comparison).
Keywords: sports branding, racing graphics, tech headlines, posters, logotypes, sporty, industrial, futuristic, assertive, energetic, impact, speed, modernity, branding, display, squared, rounded, oblique, compressed, streamlined.
A heavy, oblique sans with squared, superellipse-like curves and rounded corners throughout. Strokes stay consistently thick with minimal contrast, creating a compact, engineered rhythm. Counters are tight and often rectangular-oval, and many joins and terminals are cut with crisp angles that emphasize speed and direction. The overall texture is dense and blocky, with a forward-leaning stance and sturdy silhouettes that keep shapes legible at display sizes.
Best suited for high-impact display work such as sports identities, motorsport or racing-inspired graphics, tech/product headlines, posters, packaging callouts, and bold logotypes. It can also work for short UI labels or badges where a compact, forward-driving emphasis is needed, but its density favors larger sizes over long-form reading.
The font reads fast and forceful, combining a mechanical, tech-leaning geometry with a sporty sense of motion. Its slanted posture and clipped detailing suggest performance, urgency, and modern industrial branding. The tone is confident and bold rather than friendly or delicate.
This design appears intended to deliver maximum impact with a fast, performance-oriented slant and a sturdy geometric build. The squared curves and consistent stroke weight aim for a contemporary, engineered voice that stays cohesive across caps, lowercase, and numerals in attention-grabbing settings.
Round letters like O and 0 feel more like rounded rectangles than circles, reinforcing the constructed look. Numerals share the same compact, squared logic and strong baseline presence, making them visually consistent with the caps and lowercase in headlines.